This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture. Enjoy them at your discretion, please.Purchase and download this album in a wide variety of formats depending on your needs. Some honorable mentions include Abandon All Ships and their debut Geeving, The Ongoing Concept’s Saloon and Oceans Ate Alaska and their intriguing Blood Brothers.Īt any rate, here are our picks for the Top 12 Best Metalcore Debut Albums of the 2010s. But, we did extend our list from 10 to 12, conceding that there are more than just the ones we have listed. Unfortunately, we could not include everyone despite their impact (like Myka Relocate’s Self-Portrait as a Frozen Father and Malevolence’s Reign of Suffering). Thus, in an effort to compile the best of the best metalcore albums of the 2010s, a laundry list of entries and submissions were waded through by our staff and dedicated writers here at Loudwire. What we’re trying to say here is that, according to the last 10-plus years, there’s an ever-increasing partition for creativity and originality within the genre (I’m looking at you, Vein.fm). No one can forget the other trendsetters that awed us, too, such as Polaris’ The Mortal Coil or Invent Animate’s Everchanger. And yet, it still fits the mold and squares in nicely with its 2010 list of peers. Continuing in the same tradition as his former endeavor (albeit, with a little more artistic integrity and thrash), Beartooth shares more commonality with metal artists of the previous decade such as A Skylit Drive and, well, Attack! Attack!. Or, take Caleb Shomo (formerly of Attack! Attack!) and his latest outfit, Beartooth.
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